Review of Evangelicals, ed. by Mark Nolls, David Bebbington, & George Mardsen

Evangelicals

Up front I confess that I read this book as a progressive clergywoman baffled by the reported 81% “evangelical support” of Donald Trump in the 2016 election and beyond.   I came to Evangelicals:  Who They Have Been, Are Now, and Could Be (Eerdmans, 2019)  with the questions that the subtitle proposes to answer: What are the differences between the evangelicals who voted for Trump and the ones who didn’t?  What happened in the history of this movement that results in such wildly different understandings of Christian faith and practice, all described under the umbrella term evangelicalism?

The book didn’t disappoint.  I discovered that many evangelicals ask the same kinds of questions and that there are no simple answers. I was left with a deep appreciation for the complexity of the issues, for the writers represented in this extensive anthology, and especially for the creative curation of editors Mark A. Noll, David W. Bebbington, and George Mardsen.  These three globally respected historians bring their vast scholarship to address “the contemporary American controversies posing the greatest difficulties for a coherent, factual, and responsible understanding of ‘evangelicalism’” (1).

In the introduction  co-editor Mark A. Noll, Research Professor of History at Regent College who previously taught at the University of Notre Dame, identifies three crises related to the word “evangelical.” The most obvious is the support that a huge majority of white U.S. evangelical Christians give to Donald Trump.  When Daniel Deitrich’s “Hymn for the 81%” went viral in January, only a small percentage of followers of American politics failed to recognize its subject matter by its title alone. While not denying that support, Noll points out that pollsters usually identify evangelicals as those who say they were born again.  Then he asks this question: “ . . . if significant numbers of African Americans have been born again and have been voting for Democrats–in even higher proportions and over a longer period of time than white evangelicals have voted for Republicans–how can anyone speak responsibly about “evangelical support” for Donald Trump?” (3).

Part 1, covering over half of the four–part book, deals with “The History of ‘Evangelical History” and leads off with co-editor George Marsden’s introduction to his 1984 Evangelicalism and Modern America Marsden, professor emeritus of history at the University of Notre Dame, calls evangelicalism as a “conceptual unity” defined by its emphasis on five beliefs: “1) the Reformation doctrine of the final authority of Scripture; 2) the real, historical character of God’s saving work recorded in Scripture; 3) eternal salvation only through personal trust in Christ; 4) the importance of evangelism and missions; 5) the importance of a spiritually transformed life” (22-23).

Co-editor David Bebbington, Professor of History at the University of Stirling in Scotland and currently a visiting professor at Baylor University, has also articulated another widely used characterization of evangelicalism which is less theological and more descriptive than Marsden’s.  He describes a “quadrilateral of priorities that is the basis of Evangelicalism” [a term capitalized in the U.K.]: “conversionism, the belief that lives need to be changed; activism, the expression of the gospel in effort;  biblicism, a particular regard for the Bible; and what may be called crucicentrism, a stress on the sacrifice of Christ on the cross” (34).

The rest of Part 1 contains essays reflecting on the meaning of evangelicalism, the difficulties in defining it, and debates evoked by Mardsen’s and Bebbington’s descriptions of its characteristics.  All of the writers in Part 1 focus on the long, rich, and complex history of evangelicalism.

The essays in Part 2 attempt to explain the origins and growth of evangelical support for Trump.  The titles themselves are intriguing: “A Strange Love? Or: How White Evangelicals Learned to Stop Worrying and Love the Donald” (Michael S. Hamilton);  “Donald Trump and Militant Evangelical Masculinity “ (Kristin Kobes Du Mez); “The ‘Weird’ Fringe Is the Biggest Part of White Evangelicalism” (Fred Clark).  Part 3 contains 5 essays that assess the meaning of evangelicalism today. Thomas Kidd asks whether the term is redeemable. Timothy Kelly reflects on whether evangelicalism can survive Donald Trump and says, “The movement may abandon, or at least demote, the prominence of the name, yet be more committed to its theology and historic impulses than ever” (255).

One of the most provocative essays in Part 3 is Molly Worthen’s “Idols of the Trump Era.”  For it she interviewed Kaitlyn Schiess, a student at Dallas Theological Seminary and author of The Liturgy of Politics:  Spiritual Formation for the Sake of Our Neighbor  to be released later this year [1]. Schiess describes a new ritual that has taken the place of Sunday worship and Bible studies–nightly viewing of conservative cable news.  Worthen quotes Schiess: “The reason Fox News is so formative is that it’s this repetitive, almost ritualistic thing the people do every night.  It forms in them particular fears and desires, an idea of America” (257). Worthen, intrigued by Schiess’ ideas, writes, “When I sought out conservative and progressive critics of white evangelical politics and asked them how to best understand it, this was their answer:  pay attention to worship, both inside and outside of church, because the church is not doing its job. Humans thrive on ritual and collective acts of devotion. And the way we worship has political consequences” (257-58).

In his essay  “To Be or Not to Be an Evangelical” Brian Stiller contends that the  word evangelical has been “disfigured by political pundits, muddied by protestors from the left and right, and brought into dishonor by self-proclaimed spokespeople who excuse inappropriate behavior and language as the necessary price for political power.  The center has shifted, and many Evangelicals now wonder where they fit” (273). Then he examines the term’s global nature, the way it defines “a major, self-conscious stream of Protestantism,” its roots and history, and the polarization with the U.S. and concludes that he will keep it because it will outlive the current controversy.   However, he rejects the term’s baggage: “To impose this first world debate on hundreds of millions of Christians world-wide would be worse than a mistake; it would be a new form of first world intellectual colonialism” (277).

In Part 4 the editors reflect on how evangelical history might inform current American debates,  George Marsden offers a global perspective on American evangelicalism, and David Bebbington reflects on the political history of British evangelicals. In the concluding essay Mark Noll writes,  “In the United States, it may be the case that the ‘e-words’ should be put to rest for a season because of their excessive entanglement with national political controversy. But even where ‘evangelicals’ and evangelicalism’ lose their cogency in one location, it does not mean that the words are irrelevant for those with the world in view.”

To reflect on and appreciate this book is to live in the tension between the historical perspectives of Noll, Bebbington, and Marsden and the immediacy of the political / religious controversies in the U.S.  I found myself wanting to skip over some of the historical essays to the ones about the current situation. At times I wished that the editors had found a way to integrate the historical with the contemporary.  On the other hand, this tension is embedded in the nature of anthologies, and this one offers the equivalent of a college course on evangelicalism past and present. For those who seek to understand who evangelicals “have been, are now, and could be,” this book is an excellent place to start.

[1] https://www.apologeticssimplified.com/podcasts/2020/1/13/interview-with-kaitlyn-schiess-exploring-political-theology

This review appeared in April 2020 edition of Englewood Review of Books.

Review of Shea Tuttle’s Exactly as You Are

Exactly as You Are

Fred Rogers was an overweight, shy, lonely, and often sick child who seemed to attract bullies. At home he felt safe and comfortable, enjoying his puppets and piano, which became a means of expressing feelings of sadness and loneliness, but school was another matter.

Early in her new book Exactly the Way You Are: The Life and Faith of Mister Rogers (Eerdmans, 2019), Shea Tuttle makes the point that Fred never forgot those bullies. “ ‘I resented the pain. I resented those kids for not seeing beyond my fatness or my shyness,’ he told audiences sixty years later, marveling at how well he still remembered that day” (11). Her book shows how he transformed experiences such as this into an internationally beloved children’s television program that in multiple ways told millions of children during its 33-year run that they are loved just as they are.

Shea Tuttle was one of those children, and she brings her love of and fascination with Mister Rogers, her role as the mother of two children in grade school, and her theological training (M.Div., Candler School of Theology, Emory University) to her exploration of his life and faith.

Tuttle makes clear that there were many positive formative factors in Rogers’s life, including loving parents, a vibrant church, and a passion for music. His parents were leaders in their town of LaTrobe, Pennsylvania, which gave him a model of what a neighborhood could be. His father was an industrialist who respected and valued his employees. Both parents were people whose faith was expressed in serving their community and helping those in need. The local Presbyterian church was central in their family life, and Tuttle shows how its liturgy formed Rogers’s understanding of a disciplined life and the importance of a stable routine for children’s development. She also emphasizes the importance of music in his formation: “Very early on, music began to carry a meaning in his life that his other important hobbies—his puppet play and photography, hosting friends and helping in the community—couldn’t touch. When he was bullied at age eight, he “explored his grief at the piano” (31) and as a homesick college student he found solace in the “ancient tradition of expressing raw emotion through music” (33). It’s no wonder that music became such an integral part of Mister Rogers’ Neighborhood.

After highlighting aspects of Rogers’s growing-up years that shaped his character and sense of vocation, Tuttle focuses on how he became Mister Rogers and continued to develop Mister Rogers’ Neighborhood as long as it was in production. Chief among his mentors were Dr. William Orr, a professor at Western Theological Seminary (now Pittsburgh Theological Seminary), and Margaret McFarland, an acclaimed expert on child development.

Tuttle says the core of Bill Orr’s theology “began with the biblical assertion that God’s creation, including humanity, is good (Gen. 1:31). Upon that foundation Orr laid the belief that we are therefore lovable.” She continues, “Put another way, if we are lovable and acceptable because we are God’s, then our neighbor, who is equally God’s, is also lovable and acceptable. And we are called into the work of that loving and accepting” (59).

Orr’s example spoke as strongly to Rogers as his academic teaching did. Tuttle relates Rogers’ comment that “when you see someone go out to lunch on a winter’s day and come back without his overcoat because he had given it to a person who was cold, you have a growing understanding of ‘living theologically.’ When we asked Dr. Orr about the coat, he said, ‘Oh, I have one other at home,’ and that was all he said about it” (56).

Just as Dr. Orr, through his example and teaching, influenced Rogers’s concept of neighborliness, so Dr. Margaret McFarland helped form his philosophy of child development and children’s programming. “Anything human is mentionable,” she taught, “and anything mentionable is manageable.” Tuttle explains that Rogers, absorbing this lesson, “worked to mention his feelings rather than deny them. He knew that, acknowledged or not, revealed or not, his feelings would find their ways to expression. And he wrote a song [“The Truth Will Make Me Free”] about that belief for the Neighborhood. The song ends with these lines:

I’m happy, learning
Exactly how I feel inside of me.
I’m learning to know the truth,
I’m learning to tell the truth.
Discovering the truth will make me free (149).  

It’s safe to say that many viewers weren’t aware of the biblical foundation for Rogers’s love of neighbor and the other the theological principles that informed Mister Rogers’ Neighborhood. That was by design. Although he was an ordained Presbyterian minister, Rogers was reticent to talk explicitly about his faith. Tuttle relates a conversation between Terry Gross and Fred Rogers when Fresh Air was still a local show. Gross said, “Obviously you’re very religious, but . . . it’s not a denominational program, and I’m sure that’s intentional on your part.”

Fred replied, “It’s far from denominational and far from overtly religious. The last thing in the world that I would want to do would be something that’s exclusive. I would hate to think that a child would feel excluded from the Neighborhood by something that I said or did” (78).

Rogers often quoted this line from his favorite book, Antoine de Saint-Exupery’s The Little Prince: “What is essential is invisible to the eye” (126). That notion permeated the life-lessons Rogers shared daily with children through his television show. This bedrock wisdom was applicable to regard for neighbor—be cautious about assuming what is essential in other people.

Tuttle’s biography reflects that same kind of regard of her subject. While there is no doubt that she did thorough, impeccable research and thought deeply and creatively about Fred’s life and faith, her approach to the material is humble and respectful. In an interview on the podcast Things Not Seen, she said, “I can’t figure him out, even after spending a whole lot of time working on his writings or listening to people talk about him or watching the show. Part of what draws me to him is that he is unusual and complicated. I want to figure him out so I keep looking. I think that was part of his power, and that remains part of his power.” (1)

Part of the power of Exactly as You Are is that it offers deep insight into the life and faith of Fred Rogers while not pretending to know all about him. At a time when politicians and pundits and ordinary people with a social media platform routinely make definitive statements about the motives of others, Tuttle succeeds in honoring both his complexity and his core message that each of us should be loved exactly as we are.  

(1) “The Magnetic Strangeness of Fred Rogers: Shea Tuttle, Things Not Seen podcast #1923 (40:30-41:20)  https://www.thingsnotseenradio.com/shows/1923-tuttle

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This review was originally published in the Advent 2019 issue–the last print edition– of Englewood Review of Books.    It is available online at https://englewoodreview.org/shea-tuttle-exactly-as-you-are-feature-review/