It was the last phone call I’d ever receive from Mom, the one on that clear, burning-blue-sky morning in the Virginia mountains, the same sky that looked down on buildings ablaze in Manhattan.
“Something is happening in New York. Turn on your TV.” She lived several more years in the assisted-care center where over countless lunches I’d listen to her memories but about what took place that day she had no words.
I’ll never know what sense Mom made of what she saw. Her husband had come home from the South Pacific. They had build a home, grown a garden and a family. Life had been good, the way it was supposed to be.
Years later a song captured, condensed, maybe rearranged in my mind the scene on TV, the voices trying to explain the unexplainable, give meaning to the meaningless. The lyrics proclaimed what they said didn’t exist.
Tonight there won’t be a crowd in Times Square and hopefully most Americans won’t be singing “Auld Lang Syne” at midnight in a bar or at a party because they know that 340,000 Americans have died of COVID and they are willing to protect themselves and others by staying home.
At this time last year I posted a video I’d created to accompany “Last Night / Auld Lang Syne” which Noel Paul Stookey and George Emlen adapted and arranged with a new lyric.
Here’s to the last night of the old year And to the new year yet to be Yet before these days become A distant memory Old friend, new friend Shall we gather here And share a song to celebrate This last night of the year (1)
In the video are many photos of friends and families having good times together. Watching it can make you sad that these photos represent the kind of year that you didn’t have. Most of us want 2020 to be “a distant memory” as soon as possible. Although the photos don’t depict the year we’ve had, I offer this video and “song to celebrate / This last night of the year.” May 2021 be a happier, healthier year for our country and for you and your loved ones!
It’s almost 11:00 a.m. on Friday, September 17, 2016. Bill and I are seated at a table in the far end of an elongated, almost empty, hotel restaurant near the Pittsburgh airport. We’ve reserved in the quietest place possible because for the next couple hours, I’ll be interviewing Noel Paul Stookey, the “Paul” of Peter, Paul, and Mary before his concert with Peter Yarrow. Though this isn’t the meeting room we asked for, at least there’s a kind of indoor fence between us and the main dining area. I’ve asked my gregarious husband to eat his lunch before Noel arrives, to stay and chat while Noel and I order our meals, but to please disappear when the interview begins.
In late January I’d sent a proposal to Noel, which began something like this:
I am a United Methodist clergywoman / writer who has recently researched a curriculum piece on respecting other religions when I discovered One Light, Many Candles. That discovery led me to your recent CD/DVD, and last week I heard from the review editor at Sojourners that my review of At Home: The Maine Tour will be published. My research, listening, and writing the review have sparked an idea for a book about your music, spiritual journey, and social justice work.
Two and a half months, two more emails and a published review later, I heard from him. Since then Noel and I have been emailing, but I’ve never talked with him on the phone. His last email asked me to call him around 11:00 am after he’s had time to rest from his flight. I’m just a bit nervous. I want to present myself as a professional writer, not a giddy fan. After all, I haven’t followed his solo music or PP&M music since the ‘60s. I’m going to keep a straight face. I dial and he answers.
“Hi, Noel, Bill and I are here in the restaurant when you’re ready to come down. We’re way in the back, and I’m wearing a turquoise shirt.”
He adds, “And a big grin.”
Remember Clement Moore’s lines the moment after St. Nick comes down the chimney.
A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread
I’ve just received the verbal equivalent.
Now, four years later, our collaboration on this book goes on. I recall the FaithLink curriculum piece that led me into this journey. In November 2015, 130 people were killed in terrorist attacks in Paris, France, and its northern suburb of Saint Denis. Most prominent in the news of the day was a mass shooting in the Bataclan (theatre) that left 90 dead. The Islamic State of Iraq and the Levant (ISIL) claimed responsibility. Almost immediately anti-Muslim sentiment and violence increased globally among people who didn’t understand the difference between the Islamic religion and a militant, fundamentalist Islamist group.
Since 2007 I’ve been a part of the writing team that produces FaithLink, a digital United Methodist curriculum for study groups on current affairs and faith. After the Paris attacks, I was in line for the next issue to be written. The editors and I wasted no time deciding that the topic had to be interfaith understanding. In doing the research I ran across One Light, Many Candles, a multi-faith program in word and song presented by Noel Stookey and the Reverend Betty Stookey. Betty had begun developing in program in her role as chaplain at Northfield Mount Hermon School, which had a religiously and culturally diverse student body. She continued that development later when she became minister-in-residence at Wesley Theological Seminary.
That Noel Stookey is married to a clergywoman who has developed such a program got my attention. I started reading more about them and was impressed with their depth of understanding, their spirituality, and their efforts to help us human beings “overcome our differences and see our commonality without fear of losing our spiritual integrity.”
Long story short, I ordered some of Noel’s latest CDs and started listening. I found in his solo music deeply reflective lyrics, occasional comic relief, profound but humble reverence, and beautiful melodies played by an accomplished guitarist. Two years earlier Bill and I had lost our only child to cancer. At age 33, she left behind her husband and their six-month-old baby. The grief was still fresh. One Noel’s songs, “Every Flower” includes this couplet, which inexplicably brought hope and healing to me:
Some [flowers] are bent by fears they cannot see And some are touched by love and set free
On the surface, “Every Flower” has a simple lyric, but the power of poetry, of metaphorical language, is that it works beneath the surface, reaching inner places like nothing else can, especially when it is woven into beautiful, engaging melodies and rhythms.
Another feature of Noel’s lyrics that I appreciated from the start was his reticence to using religious language to communicate about the Divine. That appeals to me because I’m highly skeptical of the misuse and abuse of God talk, which seems more prevalent in public life than it was even four years ago. His songs are the epitome of Emily Dickinson’s advice to “tell it slant.”
For those of you who may have wondered why I post so many announcements about Noel’s projects and concerts on my FB page, now you know. Speaking of which, this weekend he has been one of many artists who are giving their time and talents to Share the Journey: A Concert for Compassion to raise money for organizations that work extensively to serve and assist migrants, immigrants, and refugee families.
On Sunday, October 18, Noel will appear in concert with the Portland Symphony Orchestra. Tickets to this virtual event will allow you to see it anytime between tomorrow night and November 18. The orchestra will be playing some Joplin and Copeland, and Noel will be singing some of my favorites, including “Facets of the Jewel,” which is central to One Light, Many Candles, and “In These Times,” written in 2007 but curiously applicable to right now.
The book is also the reason I write so few blog posts, but we’re entering a phase of writing in which my research is focused on contemporary topics that may evoke more frequent posts. I hope so. Regardless, I’m still wearing a big grin.
Tonight people around the world will sing “Auld Lang Syne,” a 1788 poem by Robert Burns. It’s a song that invites memories of good times with friends–not just in the past year, but throughout our lives. A literal translation of the Scots phrase is “old long since,” meaning “days gone by.” Burns’ version comes from a long oral tradition, dating back as least as far as 1588. His lyrics of this drinking song spread across Scotland through its inclusion in the Scottish New Year celebration of Hogmanay. Guy Lombardo and His Royal Canadians helped popularize the song in North America, and for decades it’s been played in Time’s Square after the ball drops.
I’ve put together a video for Noel Stookey’s adapation of the song, which he and George Emlen arranged as “Last Night / Auld Lang Syne.” About it he says,
For the past 4 years or so on New Year’s Eve in Blue Hill, a large group of townsfolk gather in the Congregational Church to bid farewell to the old year with poetry and song. My good friend (and former musical director of the Cambridge, Massachusetts, group Revels), George Emlen and I felt that a counter melody to “Auld Lang Syne” would make a nice musical statement as well as a metaphoric intertwining of the old year/new year. The search for its perfect lyric is probably not over yet – but on my holiday CD Somethin’ Special, I wanted to at least get the concept out among folks to sing.
Tonight in Blue Hill, Noel and George will again be leading the townsfolk in their “Last Night / Auld Lang Syne” and celebrating old friends and new friends with their song. With this video I wish you a happy new year filled with joy, peace, and the warmth of friends.
Since we lost our daughter in 2013, the holidays have been difficult to navigate. Though I may like the tunes, songs like”Have Yourself a Merry Little Christmas” and “Home for the Holidays” will always ring hollow. Last year when Noel Stookey released his album Somethin’ Special, I was drawn to this beautiful song by Melissa Manchester about finding peace and joy in spite of loss. Putting together this slide show to accompany Noel’s interpretation was healing for me, and I hope that if you’re grieving a loss–whether that be the loss of a loved one or of health or of your most treasured dream–you will find the space and freedom in this song to find and claim a reason for joy.